Friday, February 19, 2010

The Breaking of the Last Horse


The Breaking of The Last Horse is a 30 x 34 inch oil painting on canvas. Characterizing the Angel of Death as a western cowboy, or the pioneer, the innovative American icon whose history delivered the world into the final act of the current age; He wrangles his prophecied destiny as the inequities of all mankind watch in anxcious torment, breaking seals fortold by God in His Word, fulfilling the prophecy, setting the moment just before the beginning of the tribulation upon the earth.

I revised this post one time. I don't know why. Mustve had the urgency to reduce or re-revise. Wasn't nescessary, 'Cept when your're drowning in waters so deep,
The best thing to do is breathe.
And so I diid, and will keep going.

Monday, February 15, 2010

February 2010

My time in Redford is closing down. Finances are running low and therefore I must break from my productions in order to "refill the tank", so to speak. Hindsight is beginning to set in as I work to finalize a few paintings and bodies of paintings I sought to complete out here in the desert. Of course, through the pursuit of those projects, new and bigger ideas have been uncoverd. New directions. Reflections of premeditations in art, world conditions, and the influences they have placed on my work. I am comfortable with those influences, as I'm aware of how lethal they are, how controversial. I want to stir the spirit from slumber. I want art to make war in the soul. I want to produce situations that raise the human experience to their radical extremes, to heightened awareness.

In the end, here in Redford, I see that my true feelings for art and it's power lay in the extreme. In the power to say to people the words they refuse to listen to. The power to bend minds, the force of nature, the conduit of God's voice.
However, as a mortal being inflicted with multiple flaws, I could still use a lot of improvement. My work ethic has wanned a bit in the past couple of years, a poor attribute aquired from a lacking of spirit and faith in myself as an artist, a regard built up around a social upringing that says louder than anything, "you are a failure if you have no money". That is a lie, a stipulation I have tagged to my success as an artist; But also feelings of inadequacies as an artist that build each time I have to stop working in order to build up finances. Art is so much more that money. These things I will overcome.
Therefore, my next move in this chess match of art and the resources to produce work will not be a return to academia. At this point that move would be no more than an eloborate credit card giving my art some illusion of security and importance whilst plunging me far into the darkness of debt, defeating any successes in my work with a mountain of financial burden that is showing it's strangulation upon my entire nation. No, not that road, not for me. I move my pawns back to the highway. My goal now to become debt free, a small undergraduate loan being the last barrier betwixt me and financial freedom. I'm tired of being a slave to monitary machines, I'm tired of it's parasitic depletion on my art, my people, my country. I will move my work forward without restraint, as art must not be restrained. Just as my immaterial feeings of inadequacy must be extinguished, so must the material also be vanquished.
Checkmate.
image detail from the painting The Breaking of the Last Horse

Sunday, January 24, 2010

More Cows


Cow, acrylic on paper, 8 x 10 inches, 2010.

Monday, January 18, 2010

March 2010


trying to finish up some pictures for Wake the Dead show in San Marcos, March 2010. Feeling good about the content for that establishment. A lot of framing to do for it though, and a couple of larger canvas' pieces still in the works. As for the Big Bend and West Texas, got into another gallery in Alpine (Curry Gallery). They dropped in for a studio visit and took all of my panhandle cotton modules to display. Also still working cattle paintings for the ranching folks out here. The cattle paintings are slowly leading me towards deeper issues, maybe something like the worshipping of the golden calf by the Israelites in the time of Moses. Seems about right for the timing, we'll see. Building up Madres, still. Will have about 10 of those by the time it's over out here. Money well will be dry by March, it looks like, lest I sell some pictures I'm going to have to divert back to the big rig for about 6-8 months! Argh! I can feel my body rejecting that idea already! Got to go see a friend out in Terlingua soon, Hopefully figure out how to do studio/video streaming for the next round out here. And there's a herd of longhorns there, too. Going to cap the cattle paintings with a couple of large examples for the gallery.

Friday, January 15, 2010

Silence


Nothing will prove it more to them than silence. Some children, despite communication that the stove top will burn, still must burn themselves inspite freely given knowledge. Such is the state of the time. No listening; "We know it all." Therefore, no more talk of what they do not understand. Let them burn their hands.

Thursday, December 31, 2009

Remnant


On the morning of that first day I would come to the collection that the kingdom of my fore-fathers was no more than an old, broken bottomed, glass Coca Cola bottle lying discarded in the desert. Hecho in Mexico. Andy Warhol, you were right.

December 31, 2009. 12:40 a.m. CST

The moon shines twice.
Here. Blue to it they name.
Sequence compound with sign.
Event.
To the most compound,
anno
Domini.

Only among a time.
Light. Shines twice here.
anno Domini.

And death will flee from us all.

AMeN.

Wednesday, December 16, 2009

Narrative Apocolypto

Title link takes you to some more pictures I've been producing. This is of a line that I am continuing on to canvas.

Thursday, December 10, 2009

Uvalde Leader News

The link goes to the Uvalde Leader News website where they shared a write up about some of my art. The article is toned down a lot as I think much of the information I gave the reporter was not even breeching her stratosphere. I'm grateful for the hometown publicity anyhow.

Sunday, November 22, 2009

Alpine Public Library

This picture was donated to the silent auction in support of the new Alpine Public Library, November 2009.


Cow #20, acrylic on paper, 8in.x10in., 2009.

Friday, November 13, 2009

12inx15in.


Hell Hounds of Redford, oil on paper, 2009.

When art is here too long....



When work is too long in the studio of art:
No matter how much the amount of it's grace;
It begins to cry out in the realms of the artist's six senses.
Pooring on.
Moaning like laboring pains of woman,
Spearing his heart with tears like the sound of hurting dogs.
Whaling in the echoes of his mind,
Like starving whine of cat.
Haunting him.
Bitter, like demons existing only in flight.
Even when they are given no light and put away,
They hide, seeking him out in traps.
From the even of the shadow they say,
"We are too many; destroy us, and you with it."



A poem by:

JustinWarrenGraham.

The Thoughts and Times of

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